Love is a topic I prefer to steer clear of. I like making it, feeling it, having it in my life. At a push, I'd call it a gift from the universe; one that becomes smeary with scrutiny, to the point of disappearing altogether (at least until you look away, and then there it is again - sweetly bothering your peripheral vision). You're not meant to question it - you just enjoy it for as long as it stays.
Given that I've never found cause to examine love, then, it's no wonder I've developed few techniques for tending it. Someone is forever saying that love is hard work - that it won't always come easily, and so you need to work at love. I picture myself prodding a slumbering cupid with the butt-end of its archery bow. "Come on now, Cupid," I'd say. "Time to get back to work." I don't know how you work on love, or coax it into action if it decides to take a sabbatical of indeterminate length.
In recent months, though, I am learning (or maybe discovering) how to maintain that hottest and most volatile of gardens. The old adage would have us believe that love is like an eternally hungry hearth fire. If it exposes the glowing embers of its empty belly, throw on another log - easy peasy. Prod Cupid in the arse with a hot poker now and again and you're laughing all the way to the sperm bank or something. But to what does the metaphor (mixed or otherwise) actually portend?
It's only by taking note of what I'm doing in these earlier stages that I've discovered my slight misreading of the tale. Do you want to know how? It's not earth-shattering.
The way to keep love motivated is to keep working for it, rather than on it or (heaven forbid) against it. It might be more helpful to think of love as a small child. Anything you do now that could hurt its feelings, or fill it with anxiety or sadness, will come back to haunt you when you need it to do its homework or tidy its room. But as long as you ensure that you are acting in love's best interest, it not only does your bidding - it thrives. It sticks around, because it likes your company. And it's really that simple.
Anyway, I'm not here to disrupt your day or tell you what to do. It's just that these lessons are hard-won for someone like me. I've had to learn them alone, and for the most part through the distorted lens of anger. Where that anger came from is something I'm sick to the teeth of talking about, and I'm not even sure I'd like it to remain attached to my narrative. In fact. Why don't we just…
There, that's better.
13 July 2012
Leaf drop
Dear Diary,
Life is going too fast for me to process. I’m afraid that when I look up finally, I will be old. On
the one hand, it’s exhilarating, and not as stressful as when I used to wonder
what it was I was meant to be doing; when all I had was handfuls of time to
make the moments I’d just spent amount to something meaningful.
I want to do
some fairly meaningless things now, for rather a long time. I think that’s
called ‘holiday’.
I no longer wish for time to write here. I
no longer wish to write. I wish that frightened me but it doesn’t. I wish the
self was as reliable as birch bark, blanching in the sun but always shedding
layers to expose fresh familiarity.
When I was small, I used to lie beneath the
neighbours’ birch tree in summer. The neighbours are long gone and the tree was
cut down and I moved away, but I remember how its leaves stirred the air above
my face. That moment is happening forever inside me, like all of them. I have
to believe that this is still enough to constitute a self; that this is more birch
than air.
Yours,
Friday Films
26 February 2012
Why be happy
“And here is the shock – when you risk it, when you do the right thing, when you arrive at the borders of common sense and cross into unknown territory, leaving behind you all the familiar smells and lights, then you do not experience great joy and huge energy.
You are unhappy. Things get worse.
It is a time of mourning. Loss. Fear. We bullet ourselves through with questions. And then we feel shot and wounded.
And then all the cowards come out and say, ‘See, I told you so’.
In fact, they told you nothing.”
- Jeanette Winterson, Why Be Happy When You Could Be Normal?
You are unhappy. Things get worse.
It is a time of mourning. Loss. Fear. We bullet ourselves through with questions. And then we feel shot and wounded.
And then all the cowards come out and say, ‘See, I told you so’.
In fact, they told you nothing.”
- Jeanette Winterson, Why Be Happy When You Could Be Normal?
13 February 2012
Separation
It’s been so long since I’ve written anything. I’ve eradicated all familiar points of reference and, as such, I’ve not given myself a great deal to write against, or towards.
When I moved to this country five years ago, I didn’t imagine that one day I’d remain here to orbit the uninhabitable planet of my old life, where my errant genes - my own heart that multiplied and grew around it an entire person - would need me to circulate for the foreseeable future. I am here for my son. On the margins of that relationship, I am building a life of my own out of new and untested materials, out of people and places and experiences born from my own, small initiative.
When I find that I’m plumping for a more substantial intersection between the old and the new, I remind myself that the union will take some time to resolve, that it will be one of substance over symmetry, of perspective rather than location.
My old life is a fishing rod cast into the sea of my day. As the hours tick over, I am reeled in by my heartstrings, and by dinnertime I am kissing and bathing my tiny boy. I’m putting him to bed and I’m slipping out the door into the dark matter of this new self who does none of these things, in a home that is, for the time being, insulated by objects instead of memories.
I used to worry that I would disappear without the props and settings and characters that helped to define who I was. Who wouldn’t be? But it was easily done, to put the book down and leave the room - frighteningly so. To walk like Gulliver through the landscapes of my history, brushing the clinging, miniature ghosts of identity from my arms and torso and thighs, until all that remained was myself.
All that ever remains is a self, and then one day, that self disperses, like a ghost, or like fog over an infinite, roiling sea, and is gone.
When I moved to this country five years ago, I didn’t imagine that one day I’d remain here to orbit the uninhabitable planet of my old life, where my errant genes - my own heart that multiplied and grew around it an entire person - would need me to circulate for the foreseeable future. I am here for my son. On the margins of that relationship, I am building a life of my own out of new and untested materials, out of people and places and experiences born from my own, small initiative.
When I find that I’m plumping for a more substantial intersection between the old and the new, I remind myself that the union will take some time to resolve, that it will be one of substance over symmetry, of perspective rather than location.
My old life is a fishing rod cast into the sea of my day. As the hours tick over, I am reeled in by my heartstrings, and by dinnertime I am kissing and bathing my tiny boy. I’m putting him to bed and I’m slipping out the door into the dark matter of this new self who does none of these things, in a home that is, for the time being, insulated by objects instead of memories.
I used to worry that I would disappear without the props and settings and characters that helped to define who I was. Who wouldn’t be? But it was easily done, to put the book down and leave the room - frighteningly so. To walk like Gulliver through the landscapes of my history, brushing the clinging, miniature ghosts of identity from my arms and torso and thighs, until all that remained was myself.
All that ever remains is a self, and then one day, that self disperses, like a ghost, or like fog over an infinite, roiling sea, and is gone.
11 July 2011
500 days of nonsense
I’m finding this whole ageing* business a bit of a nightmare. The older people get, the further into themselves they seem to tunnel. I used to think that tunnelling into others was a viable solution to an identity crisis, but these days I’m just trying to dig my way out and into the light. I’m not sure if anyone or anything lives up there, or whether I’m actually tumbling disoriented inside a dark sea, swimming my way down, the air and answers at my feet steadily gaining distance.
This weekend I watched a film called It’s Kind of a Funny Story – it was One Flew Over the Cuckoo's Nest meets 500 Days of Summer, if you can imagine such a thing. It was at once heartening and completely irritating to see a film try so earnestly to normalise the experience of being admitted to a psych ward. There were familiar elements to the story (Who is that figure beneath the blanket, are they dead, and do I really have to share a room with him/her?) and elements that make a mockery of mental illness, however unintentional (the David Bowie sing along, and the Hasidic-Jew-with-sensitive-hearing shtick, for instance).
As I said, I did enjoy the film, and I think it’s a fairly good primer for the uninitiated, but if you come away thinking that suicidal feelings, mental illness, depression and personality disorders are the binding agents of universal solidarity in an institutional setting, you’d be wrong about that.
I’m not going to arrive at an actual point, or weave these into an afghan to hide beneath, in case you were holding out for something of that nature. This is simply an unhelpful map of my tunnelling – a kind of You Are Here for anyone who crash-landed on Planet Me today. Apologies, Earthlings - themes and variations, themes and variations.
I’ve been busily inventing new forms of self-alienation (I don’t know, I’m not Freud, am I?) and one thing that occurred to me before the weekend hit, which I think might be true, is that some houses are dead. Am I right? Just as it would be wrong to manipulate the arms and legs of a corpse and call that corpse alive, I also think that people mistakenly believe that moving their shit into an accommodation that died decades ago will somehow turn that place into a home**.
Wanna come over and watch movies? Didn’t think so.
*‘Aging,’ not ‘getting old,’ I hasten to add; it’s an important distinction. Especially if you’re old. Which I am not. (Yet.)
**I don’t believe my house is dead, but I’ve lived in a fair few dead homes, and this is the only explanation. Shut up and let me have my explanation.
This weekend I watched a film called It’s Kind of a Funny Story – it was One Flew Over the Cuckoo's Nest meets 500 Days of Summer, if you can imagine such a thing. It was at once heartening and completely irritating to see a film try so earnestly to normalise the experience of being admitted to a psych ward. There were familiar elements to the story (Who is that figure beneath the blanket, are they dead, and do I really have to share a room with him/her?) and elements that make a mockery of mental illness, however unintentional (the David Bowie sing along, and the Hasidic-Jew-with-sensitive-hearing shtick, for instance).
As I said, I did enjoy the film, and I think it’s a fairly good primer for the uninitiated, but if you come away thinking that suicidal feelings, mental illness, depression and personality disorders are the binding agents of universal solidarity in an institutional setting, you’d be wrong about that.
I’m not going to arrive at an actual point, or weave these into an afghan to hide beneath, in case you were holding out for something of that nature. This is simply an unhelpful map of my tunnelling – a kind of You Are Here for anyone who crash-landed on Planet Me today. Apologies, Earthlings - themes and variations, themes and variations.
I’ve been busily inventing new forms of self-alienation (I don’t know, I’m not Freud, am I?) and one thing that occurred to me before the weekend hit, which I think might be true, is that some houses are dead. Am I right? Just as it would be wrong to manipulate the arms and legs of a corpse and call that corpse alive, I also think that people mistakenly believe that moving their shit into an accommodation that died decades ago will somehow turn that place into a home**.
Wanna come over and watch movies? Didn’t think so.
*‘Aging,’ not ‘getting old,’ I hasten to add; it’s an important distinction. Especially if you’re old. Which I am not. (Yet.)
**I don’t believe my house is dead, but I’ve lived in a fair few dead homes, and this is the only explanation. Shut up and let me have my explanation.
25 June 2011
Systematic unpicking
Other people frighten me. I approach them and pull faces and they react and I back away slowly. Sometimes I’ll lie right up against the glass and trace their topography for hours, imagining they spent their childhoods hypnotised by the dirt clods that sprung off their bicycle wheels as they bounced over broken tarmac slightly faster than their reaction times dictated, and then I can almost feel the barrier dissolving.
Our lives are predicated on this underlying assumption that we are known, and that we can know others. We think that because we can agree to certain fundamentals that keep the motorway generally unclogged, we must also conduct more or less the same symphony beneath our shirts. But regardless of which parade we succumb to, amidst the props and paints and perfumes, the vagaries of continuity will invariably betray a lie that remains most invisible to even ourselves. I’m talking about our souls here.
Don’t get me wrong - I’m not a religious person. I don’t think you can peel away the pragmatic layers of a human to reveal the frightened inner specter of their gossamer truth. Life winds its expert fingers around the lip of our trembling essence and we emit a tone that answers in the only way that it can. Others glimpse our identity through a whirling zoetrope that blurs our static moments into a unified narrative, into a seamless 'you', until one day...
Well, one day I discover that you’ve saved every tissue your mother has ever sneezed into inside a desk drawer. And there is nothing in my toolbox of experience that can answer the 'why?' of this one anomaly. I’ve pulled a thread, and the entire fantasy of knowing you unravels and spools around my feet. A realisation swims up from the deep: You are not me. And, furthermore, I am alone. This gives me a terrific sense of vertigo, and then I must wait for the normalising properties of time + space to whitewash the graffiti this notion produced.
If ever you find yourself seeking your reflection in the shallow pool of someone else, instead see if you can appreciate the illusion that you’re not buried alive inside a fiction of your own making. Scatter the crumbs of your history and watch the birds make off with them, one by one.
Our lives are predicated on this underlying assumption that we are known, and that we can know others. We think that because we can agree to certain fundamentals that keep the motorway generally unclogged, we must also conduct more or less the same symphony beneath our shirts. But regardless of which parade we succumb to, amidst the props and paints and perfumes, the vagaries of continuity will invariably betray a lie that remains most invisible to even ourselves. I’m talking about our souls here.
Don’t get me wrong - I’m not a religious person. I don’t think you can peel away the pragmatic layers of a human to reveal the frightened inner specter of their gossamer truth. Life winds its expert fingers around the lip of our trembling essence and we emit a tone that answers in the only way that it can. Others glimpse our identity through a whirling zoetrope that blurs our static moments into a unified narrative, into a seamless 'you', until one day...
Well, one day I discover that you’ve saved every tissue your mother has ever sneezed into inside a desk drawer. And there is nothing in my toolbox of experience that can answer the 'why?' of this one anomaly. I’ve pulled a thread, and the entire fantasy of knowing you unravels and spools around my feet. A realisation swims up from the deep: You are not me. And, furthermore, I am alone. This gives me a terrific sense of vertigo, and then I must wait for the normalising properties of time + space to whitewash the graffiti this notion produced.
If ever you find yourself seeking your reflection in the shallow pool of someone else, instead see if you can appreciate the illusion that you’re not buried alive inside a fiction of your own making. Scatter the crumbs of your history and watch the birds make off with them, one by one.
22 June 2011
Not waving
I’m meant to be writing a blog for work, but it’s not happening just now.
How do you say "I had a strange dream last night" without a hundred ears tuning out before you’ve even gotten to the significant bit? Nightmares, wet dreams, dreams specifically about the listener – you might entice a few more ears to stick around, but not many. I’ll listen to your dreams, in as much detail as you can provide, because I enjoy the thought processes that go into the telling, and you can sometimes even glimpse a hidden feeling that marbles the convex underbelly of its imagery. Dream imagery is certainly more stunning than any I’ve experienced tangibly.
But I had this strange dream last night (goodbye, gentle readers, until next time); it was terrible, actually. My niece and nephew were little children again, and I could see by my tracking system that they were still on the beach playing, and specifically where they were playing (in the tide, and Christopher is only a toddler), so I went to check on them. I knew before reaching the shore that my nephew wouldn’t be there, and my mind scrambled to assemble the narrative - abduction.
I spent many hours crying and shouting and looking inside horrible containers, all the while knowing that he’d never be found. At some point he stopped being Christopher and started being Hartley, and then I had to wake myself up.
Sometimes my dreams will trail their coattails through my waking life, and their details can inform things that I feel or think about. I once thought I was in love with a real person because of a dream, and I acted on it, and that’s the last time I will ever do something so foolish. If anything, now I worry that the symbolic sediment left to dry on the surface of consciousness may prove fatally prophetic, if ignored. I’ll tell Bruce to keep a more careful eye on Hartley or I’ll wait for the green man before crossing a familiar intersection, and I’ll still wish I’d kept everyone at home, wrapped in cotton wool.
On the flip side, real life issues can find monstrous architectural counterparts in dream threads that get woven into the fabric of one's psyche, so that you don’t always know if you’re awake or asleep or somewhere in between. Though life has a way of dispersing the clouds and making that distinction immediately, and sometimes even painfully, apparent.
How do you say "I had a strange dream last night" without a hundred ears tuning out before you’ve even gotten to the significant bit? Nightmares, wet dreams, dreams specifically about the listener – you might entice a few more ears to stick around, but not many. I’ll listen to your dreams, in as much detail as you can provide, because I enjoy the thought processes that go into the telling, and you can sometimes even glimpse a hidden feeling that marbles the convex underbelly of its imagery. Dream imagery is certainly more stunning than any I’ve experienced tangibly.
But I had this strange dream last night (goodbye, gentle readers, until next time); it was terrible, actually. My niece and nephew were little children again, and I could see by my tracking system that they were still on the beach playing, and specifically where they were playing (in the tide, and Christopher is only a toddler), so I went to check on them. I knew before reaching the shore that my nephew wouldn’t be there, and my mind scrambled to assemble the narrative - abduction.
I spent many hours crying and shouting and looking inside horrible containers, all the while knowing that he’d never be found. At some point he stopped being Christopher and started being Hartley, and then I had to wake myself up.
Sometimes my dreams will trail their coattails through my waking life, and their details can inform things that I feel or think about. I once thought I was in love with a real person because of a dream, and I acted on it, and that’s the last time I will ever do something so foolish. If anything, now I worry that the symbolic sediment left to dry on the surface of consciousness may prove fatally prophetic, if ignored. I’ll tell Bruce to keep a more careful eye on Hartley or I’ll wait for the green man before crossing a familiar intersection, and I’ll still wish I’d kept everyone at home, wrapped in cotton wool.
On the flip side, real life issues can find monstrous architectural counterparts in dream threads that get woven into the fabric of one's psyche, so that you don’t always know if you’re awake or asleep or somewhere in between. Though life has a way of dispersing the clouds and making that distinction immediately, and sometimes even painfully, apparent.
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